As a teenager, when I found a book I liked I checked out
every book the library had by that author. Thus, I remember long rainy
afternoons reading The Red Lamp, The Bat, The Yellow Room, A Light in
the Window, The Circular Staircase
and The After House, all by Mary
Roberts Rinehart. Her suspense novels
were just frightening enough to send shivers up my spine, but not so ghostly
that I had to sleep with the light on.
She was born in 1876 and died in 1958, several years before
I first read her books. Often compared to Agatha Christie, Rinehart’s first
mystery novel was published 14 years before Christie’s. I recently found a 1926
Dell paperback of the Bat (photo
above) at Powell’s bookstore and added it to my small collection of older
paperback mysteries. Although originally
25 cents, Powell’s priced it at $3.95. I
love those old paperbacks with original cover illustrations: the Bat cover was by Walter Brooks. I could find no online reference to Walter
Brooks as an illustrator or artist, but there is a writer of a series of children’s’
books who was a contemporary of Rinehart. Further research is required.
Rinehart is included in a section called ‘Lady detectives’
in another interesting 1971 book I own: The
Murder Book: An Illustrated History of the Detective Story, by Tage la Cour
and Harald Morgensen (published by Herder and Herder). This book disputes assertions elsewhere
(online) that Rinehart originated the “had I but known” form of mystery where
key information is not divulged that would assist the reader (and police) in
solving the mystery. Despite this minor
controversy, I continue to recommend Rinehart’s books as either collector items
or as a good read.